Feminism and Global Chineseness:  The Cultural Production of Controversial Women Authors
Powered By Xquantum

Feminism and Global Chineseness: The Cultural Production of Cont ...

Read
image Next
Ge, H. (2000). “An Elegy for Twentieth-century Chinese Literary Criticism.”Hibiscus, 1, 138–142.
Gellner, E. (1997). Nationalism as a product of industrial society. In M. Guibernau, & J. Rex (Eds.),The ethnicity reader: Nationalism, multiculturalism and mirgration(pp. 52–69). Cambridge: Polity Press.
Ghymn, E. M. (1992).The shapes and styles of Asian American prose fiction. New York: Peter Lang.
———. (1995).Images of Asian American women by Asian American women writers. New York: Peter Lang.
Gilmartin, C. K., et al. (Eds.). (1994).Engenderin China: Women, culture and the state. Cambridge: Harvard University Press.
Green Tea & Mint (Eds.). (2004).Beauty? Writer? Sketches of beauty writers. <http://www.booker.com.cn/gb/paper54/1/class005400034/> (accessed March 20, 2004).
Gu, Y. (2000). The dissemination of Hong Kong literature in the past twenty years. In H. Weiliang (Ed.),Hong Kong literature: Dynamic and diversified—proceedings of the 1999 international conference on Hong Kong literature(pp. 763–780). Hong Kong: Chinese University Press.
Gu, Y. (2000).Pushing literature forward: Sweet but still bitter.Hong Kong Literature: Dynamic and Diversified(pp. 948–953).
Hall, S. (1994). Encoding, decoding. In S. During (Ed.),The cultural studies reader(pp. 90–103). London: Routledge.
He, C. (1997). ‘Incense Burner’ also has the right of political participation: Sex and politics are inseparable, of course. <http://www.esouth.org/sccid/south/south19970822.htm> (accessed May 19, 2003).
Hong, X. (2000). ‘Beauty Writers’ don’t agree: Listen to what Wei Hui and Mian Mian have to say.China Youth Daily.<http://www.cyol.net/cyd/zqb/20000320/GB/9807%5EQ702.htm> (accessed March 20, 2004).
Hong, Z. (2003). Nothing but wandering sensuality.Literature Press(February 3), 3.
hooks, b. (1984).Feminist theory: From margin to center. Cambridge: South End Press.
Hooper, B. (2003)Voices in the Heart: Postcolonialism and Identity in Hong Kong Literature. New York: Peter Lang Publishing.
Hsia, C. T. (1971).A history of modern Chinese novels. New Haven: Yale University Press.