‘East Coker’, 6, 139, 186, 230, 233, 244, 268

‘Gerontion’, 145, 164, 168–171, 183, 259, 261, 262

‘Hysteria’, 105, 106

‘Interlude in London’, 257

‘La Figlia Che Piange’, 106–108, 130, 133, 135, 263

‘Little Gid-ding’, 31, 33, 90, 140–141, 174–177, 186, 188, 230–231, 236–240, 270

‘Ode’, 37, 119

‘Portrait of a Lady’, 69, 70, 195, 257

‘Preludes’, 45, 60, 198–200, 206, 256, 270

‘Rhapsody on a Windy Night’, 270

‘Second Ca-price in North Cambridge’, 256

‘Song’, 14–15

‘The Dry Sal-vages’, 19, 140, 234, 237

‘The Hollow Men’, 219–223, 225, 240

‘The Love Song of J Alfred Prufrock’, 8, 43, 45, 48, 49, 58–66, 68–72, 83, 86, 88, 90, 104, 105, 130, 167, 170, 195–198, 211, 227, 231, 232, 239, 260, 263, 270

The Waste Land, 5, 6, 16, 20, 43–45, 48, 51, 57, 65–72, 75–78, 81, 82, 87, 90–93, 99, 100, 107, 112, 114–123, 127, 128–133, 138, 141, 145, 154, 159–161, 168–172, 207–216, 219, 223, 240, 257, 261, 267

The Waste Land (Manuscript), 117, 118, 208, 209

Works—Prose

‘Arnold and Pater’, 26

‘Baudelaire’, 130–132, 135, 170, 183

‘Dante’ (1920), 161, 166

‘Dante’ (1929), 7, 11, 128, 161–162, 172–173, 263, 266

‘Imperfect Critics’, 17

‘In Memor-iam’, 266–271

Knowledge and Experience in the Philosophy of F. H. Bradley, 67

‘Poetry and Drama’, 240

‘Shakespeare and the Stoicism of Seneca’, 23

‘The Function of Criticism’, 24–25

‘The Meta-physical Poets’, 41, 258–259, 263

‘The Music of Poetry’, 13

‘The Three Voices of Poetry’, 34

The Use of Poetry and the Use of Criticism (Norton Lectures), 3, 8–9, 21, 26–28, 243, 245

The Va-rieties of Metaphysical Poetry, 20, 68, 133

‘Tradition and the Individual Talent’, 2, 34, 36

‘What Dante Means to Me’, 32, 177

Eliot, Vivienne

As described by Ber-trand Russell, 119

As described by Vir-ginia Woolf, 3, 4

Health problems of, 3, 118

Marriage to T. S. E, 3, 4, 20, 21, 118, 119

Fitzgerald, F, Scott, 181

Herbert, George, 42, 91