Moreno, Jacob, 59–60

Murder in the Cathedral (Eliot),, 88

Music, 7, 12, 29, 30, 39

Nazareth, Pennsylvania, 4

Neighborliness, 107–108

Notes from the House of the Dead (Dostoyevsky),, 62–63

Oates, Joyce Carol, 17

Odd Couple, The (Simon),, 101

Odets, Clifford, 27, 46, 93

Offer, Avner, 7

Ohayon, Michelle, 69

Ornish, Dean, 2–3, 12

Orpheus, 46

Ostrobothnia, Finland, 11

Our Country’s Good (Wertenbaker),, 62, 67

Oxford, Mississippi, 5

Passion versus action, 52

Passivity, assivity, 7–8, 105–108

Penn State University, 79

Physical Proximity, 8–10

Plato, 90

Play ( jeu ),, 97–99, 105–108

Play text, value of, 22–26, 66–67, 100–102

Presence, 8–10

Preservation (of theatre), 44–47, 92–95

Prison Theatre, 26, 47, 57, 59, 61–71

Psychodrama, 59–61

Putnam, Robert, 2, 6–8, 12, 21

Rehearsal process (as hunt), 101–102

Religion and theatre, 40, 41, 91–92

Religious affiliation, 26–28, 33–35, 38

Respicere (respect),, 55

Ridiculous Theatrical Company, 69

Ritual, 41

Roseto, Pennsylvania, 4, 10

Royal Court Theatre, 69

Sarajevo, 15, 17

Schechner, Richard, 16, 17, 41, 97–102

Season planning (and hunting), 103–105

Shamanism, 60

Simms, Phil, 70

Simon, Neil, 47, 101

Social Capital, 10–12, 20

Social connectedness, 3–7, 11–13, 87–91, 105–108

lack thereof, 6–7, 8–13

Sontag, Susan, 15, 17

Sound and the Fury, The (Faulkner),, 5

Spiegel, David, 3

Spinoza, Benedict de, 52

Spirit House, 69

Spoon River Anthology (Masters),, 4

Sports, 7, 30, 33, 99

The Sunshine Boys (Simon),, 47

Teams, 32–40

Teenagers, 70

Television, 4, 6–8, 91, 92, 106, 108

Theatre, and community, 13, 15–28, 97–108

Tone, Franchot, 27

Tribes, 30–40

Trinity Repertory Theatre (Providence, R.I.), 103

True and False (Mamet),, 28

Trust, 11–12, 20, 21–22, 67–68

Trust: The Social Virtues and the Creation of Prosperity (Fukuyama),, 11–12

Turner, Victor, 41

Uslaner, Eric M., 21–22

Utopia, and theatre, 26–28