Police Beat: The Emotional Power of Music in Police Work
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Police Beat: The Emotional Power of Music in Police Work By Simon ...

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Instrument bodies as material memories -, 151, 156

Instrumentalized persons-, vii, 23, 83, 112, 113, 130, 126, 182

Instrumentation-, 15, 18, 156, 160, 161, 163

Insults, directed towards police -, 7–9, 65

Interactionist accounts of emotion-, xix, 13, 70

Intersubjectivity-, xx, xxi, xxiii, 32, 33

Invisibility-, 146

James, William -, xiv, 56, 57, 72

Joy-, vii, 23, 85, 101, 113, 119, 120, 125, 141, 146, 166, 184, 185

Katz, Jack-, 29, 30, 37, 57, 173, 192

Language (as indicative of sensual life) -, 35, 183

Language of emotion-, xii, 2, 14, 85, 180

Law enforcement-, 171, 174, 175, 177, 181, 184

Law enforcement policing-, 4, 7, 149, 151, 158, 177, 178, 179

Linguistic analyses of emotion, xiii

Listener(s)-, 24, 30, 114, 118, 120, 148, 149, 151, 169, 181, 184

Lutz and White-, x–xiii, 31, 37, 187, 188

Lyon, M and J Barbalet -, 55–59, 65, 79, 80, 193

Making love-, xxi, 85, 125, 126, 134, 138, 139, 182, 196

Marching-, xxi, 16, 19, 43–47, 105, 144, 145, 158, 163, 164

Material memories-, xx, 151, 154, 156, 159, 164, 180

Materialist conceptions of emotion, x

Meaning, musical-, 189

Meaning, of instruments -, 163

Merleau-Ponty-, 32–35, 54, 57, 78, 107, 108, 120, 139, 183, 191, 192

Meta-emotion-, 117, 120, 141, 147–149, 151, 152, 184, 198

Metaphor-, 85, 126, 129, 137, 142

Metonyms-, 147

Military bands-, 18, 162, 163

Milton, Kay-, xv, xvi

Misrecognition-, 19, 169, 185

Movement-, xxii, 3, 20, 25, 34, 60, 78, 120, 130, 145, 147, 157, 175, 195

Multisensual surveillance-, 2, 10, 99

Music

Music and language-, 189

Music and social connectivity-, xvi, xix

Musical comportment -, xxi, 29, 30, 117, 118

Resonance, musical-, xxii, 27

Musical conduct, embodiment of-, xxii, 37

Musical correctness-, 86

Musical emotion-, 2

Musical experience-, xx, 17, 36, 39, 117, 153

Musical food-, xx, 17, 36, 39, 117, 153

Musical grammar for emotion-, 2

Musical orgasm-, 119, 152

Musical prescriptions-, 91