Musicians-, 3, 18, 21, 30, 36, 38, 43, 84, 89, 114, 117, 118, 160, 168, 170, 181, 191, 192, 196, 197

Musico-sensual dimensions of emotion -, 32

Mutual tuning in relationship-, xx, xxi

Negative views of Grayville police

Neutrality, police-, xx, 10, 81

Nietzsche-, 100, 101, 102

Nonhumans -, 3

Normality-, 10, 39, 40, 55

Operational police officers-, 5, 18–20, 31, 38, 48–50, 72

Pain of separation-, 99

Pain, musical -, 100–103, 184

Performance bodies-, 112, 148

Phenomenology-, 32–34, 109, 125, 183, 194

Phenomenology of perception-, 33, 34, 124

Playing, music -, 19, 21, 86, 114, 128

Polanyi-, 107, 192

Police, see Authority

Police bodies as material memories -, 156

Police body -, xix, 8, 10, 21, 22, 36, 63, 66, 73, 78, 80, 112, 150, 156, 173, 174

Police body, as ostensibly unemotional -, 10, 66

Police force-, 4, 7, 15–17, 157, 160

Police power-, 39–41, 158, 165, 166, 169

Police skin-, 20, 172

Policed community-, ix, 8, 10, 14, 31, 57, 73, 150, 158, 179

Power and material memories -, 154, 155

Power, subtle -, ix, xx, 2–4, 34, 40

Power, disciplinary-, 39, 40

Power, police-, vii, xxii, 2, 3, 10, 34, 38–41, 158, 165, 169

Present body-, 96, 102, 104, 131, 184, 194

Proactive policing-, 4, 5, 178, 179

Professionalism, police-, xix, 9, 63

Public relations, musical-, 15

Qureshi, R-, 151, 156

Reactive policing-, 4, 5, 81

Recipe-, 85, 87–90, 114, 115, 118, 140, 142

Reciprocity, of person and world-, xvi

Rehearsal pain-, 102

Respiration-, 94

Revenue, state -, 150, 158

Robocops -, 7, 150

Schutz, Alfred-, xx, 54, 56

Self-conscious attention-, 78, 79, 81, 84, 87, 95, 105, 107, 132, 144, 145

Self-surveillance-, 78, 79, 86, 92, 99, 137, 141

Sensation-, xiii, 34, 124, 125, 131, 196

Sensing body-, 131

Sensual contraction-, xviii, 131

Sensual engagement(s) -, xvi, xxii, 28, 83, 84, 130, 142

Sensual Extension-, xviii, 83, 112, 115, 117, 126, 131, 141, 142, 146

Sensual freedom -, 102, 120