Sensual life of the body-, 35, 36, 183, 191

Sensual playing experience-, 125, 133

Sensual surveillance-, 2, 10, 99

Sensuous fulfilment-, 100, 101

Seraphic pleasure-, 23, 125

Serres, Michel-, xiii, 34–36, 101, 102, 105, 108, 124, 125, 130, 134, 136, 141, 146, 181, 183, 191, 194

Sight-, 11, 108, 116, 136, 137, 140

Social communicative aspects of emotion-, x

Socio-political dimensions of emotion-, 37

Sonic material memories-, xx

Sounds and musical genres as material memories-, 156

Stravinsky- I, 14

Subhuman (of police)-, 180

Subtle forms of police power-, 40

Suffering-, 100, 101, 106

Surveillance, police-, 78

Synaesthetic surveillance-, 99, 106

Taste and smell-, 35, 99, 139–141, 183

Technical production-, 85, 86, 129

Technically correct sounds-, 22, 84, 89

Techniques of emotional inexpressiveness, Grayville police-, 1, 10

Temporality, musical-, 56, 108, 127

The language of emotion-, xii, 2, 14, 85, 180

Touch-, 55, 78, 86, 99, 103, 113, 120, 129, 130, 133–138, 184, 191, 195, 197

Traditional policing-, 4

Training text, Grayville police-, 9, 59–63, 65–70, 73–75

Vision-, 76, 99, 108, 130, 137, 191, 197

Visual material memories -, xx, 151, 159

Weberian understandings of power -, xx, 40