Cimarron (1931),, 100, 252

Cinema, 11, 17

and popularity in the Soviet Union, 8

and popularity in the United States, 8, 16

Circus (1935),, 147, 207

Collective Security (USSR), 146, 202

Collectivisation, 10, 20, 234, 236, 304, 324

Communist Party of the United States of America (C.P.U.S.A.), 56, 317

Comrade X (1940),, 203, 204, 209

Confessions of a Nazi Spy (1939),, 189, 191, 221

The Conveyor Belt of Death (1933),, 168, 220

Cooper, Gary., 66, 134, 158, 205, 279

Counterplan (1932),, 302

Countryside in US, 96

in USSR, 113, 114

and resistance to collectivisation, 10

Cross and Mauser (1925),, 262, 263

Dead End (1937),, 296, 297

Dneprostoi dam, 111

Dodsworth (1936),, 188, 189, 191, 204

Dovzhenko, Alexander., 236, 241, 266, 268, 270

Drums along the Mohawk (1939),, 63, 100, 161, 186, 219

Eisenstein, Sergei., 8, 11, 68–72, 130, 200, 323

and anti-Nazism, 152, 153, 174, 175

and the countryside’s technological advancement, 113

and loss of reputation, 179, 180

and religion, 262

and Stalin Personality Cult, 80

and Sovietism, 130, 320

Empire State Building, 11, 121, 122, 125

Farm Security Administration (FSA), 96

Federal Art Project, 210

Federal Theatre Project (FTP), 211–213, 221

The Fight goes on (1939),, 70, 173

The Fighting 69th (1940),, 274

Five Year Plans (FYP), 10, 20, 90, 100, 111, 115, 117, 302, 304, 324

Flanagan, Hallie., 212, 213, 191, 192

Flying down to Rio (1933),, 299, 300

Gable, Clark., 59, 92, 93, 103, 134, 293

Gabriel over the Whitehouse (1933),, 92, 131, 183

Gangsters/gansterism (in US), 230, 242, 274, 281, 289, 291, 293–295, 299, 301–303, 307, 312, 313, 318

The General Died at Dawn (1936),, 158

The General Line (1929),, 113, 305

Gerasimov, Alexander., 80, 82, 116, 130, 155

Gorky, Maxim., 5, 81, 114, 116, 171, 262–264, 268, 304

Great Depression (in US), 9, 10, 24, 25, 53, 61, 92, 94, 96, 97, 121, 181–184, 188, 210, 213, 280, 296, 297, 299, 324