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Bolam, James, 206 |
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Bolender, Bill, 162n3 |
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The Book of Evidence (John Banville), 245n2 |
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Booth, Wayne C., 108n50 |
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Borstal Boy (Brendan Behan), 245n2 |
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Braschi, Nicoletta, 217 |
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British Board of Film Censorship, 147 |
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British Film Institute, 7 |
|
Brooks, Peter, 93 |
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Brothers and Keepers (John Edgar Wideman), 245n2 |
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Brown, Amelda, 54 |
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Brown, Clancy, 111 |
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Brown, Everett, 117 |
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Bunnage, Avis, 110 |
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Burger’s Daughter (Nadine Gordimer), 245n2 |
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Burnham, Edward, 53 |
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Byrd, Eugene, 117 |
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Campbell, Russell, 146 |
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Caucasian inmates |
|
in real prisons, 27 |
|
in fictional prisons, 116 |
|
in prison narratives, 110, 112, 117, 132, 139, 145, 146, 188, 189, 208–217 |
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Churchill, Winston, 20 |
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cinematic metaphors, evoked by |
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interplay between sound and image, 47, 52, 168, 169, 181, 187, 218, 224n7, 237, 238 |
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juxtaposition, 47, 48, 77, 78, 95–97, 102n2, 150, 153, 165n22, 169, 183, 187, 188, 192, 217, 219, 221, 224n1, 224n9, 225n10, 237 |
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class and prison narratives, 3, 4, 50, 112, 119, 125, 132, 161, 163n7, 173–175, 180, 194, 200, 202–208, 222, 223, 226n22, 227n24, 231, 233–236, 239, 243 |
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A Clockwork Orange (Anthony Burgess), 8, 12n1, 116, 119, 131, 142, 149, 163n7 |
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A Clockwork Orange (dir. Stanley Kubrick), 8, 12n1, 114, 136, 137, 158, 159, 163n7, 164n16 |
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Cohn, Dorrit, 13n8 |


