Narrating the Prison:  Role and Representation in Charles Dickens' Novels, Twentieth-Century Fiction, and Film
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focalization, 102n8

external, 46, 47, 65, 66, 68, 69, 80, 241

internal, 46, 47, 241, 245n3

Forest, John, 95

former (pre-prison) identity, 65, 132, 136, 138, 240

Foucault, Michel, 9, 10, 82, 158

Fox, James, 205

Franklin, Howard Bruce, 227n28

Fraser, Bill, 55

free indirect discourse, 103n9, 104n17

cinematic version of, 48, 241, 242

Freeman, Morgan, 117

French, Warren, 205

Frey, Hans-Peter, 104n19

Fry, Stephen, 118

Garland, David, 29

gender and prison narratives, 8–10, 12n2, 245n1

Genette, Gérard, 104n21

Giddings, Robert, 46, 108n50

Gillingwater, Claude, 69

Gladstone Report, 20

Goffman, Erving, 134

Goorney, Howard, 48

Grass, Sean, 10, 13n8, 18, 19, 28, 35n4, 56, 57, 62, 66, 72, 104n19, 104n20, 230

Great Expectations (dir. David Lean), 8, 12n1, 93–97

Greenwood, Joan, 53

Gross, John, 74

guards

in real prisons, 13n7, 25, 26, 30, 32

in prison narratives, 3, 52, 120, 127, 145, 146, 148, 150, 151, 154–156

as the‘other’ prisoners, 156–160

Guinness, Alec, 46

Guinness, Arthur, 46, 54, 97

Gunton, Bob, 111

Hale, Christopher, 10, 13n8, 129, 230

Halberstam, Judith, 9, 245n1

Hallinan, Joseph T., 33

Hardy, Phil, 147

Henry James and the Art of Power (Mark Seltzer), 13n8

history of imprisonment

Great Britain, 15–22

United States, 22–29

Hollywood Production Code, 147

homophobia, 10, 12n2, 175, 180, 244

homosexuality in prison narratives, 132, 136, 137, 147–149, 161, 175–181, 190, 225n11, 233–235, 240, 243, 244

Hooks, Bell, 115, 116

Horne, William L., 22, 201, 227n24

house of correction, 19

Howard, John, 17, 23, 35n1, 35n3

hulks, 17

in prison narratives, 8, 81, 85, 88, 100

Human Rights Watch, 33

Hunt, Martita, 95

Hutchings, William, 203

I Am a Fugitive from a Georgia Chain Gang! (Robert E. Burns), 12n1, 110, 116, 132, 139, 162n6, 188, 208–212, 222

I Am a Fugitive from a Chain Gang! (dir. Mervyn LeRoy), 12n1, 110, 117, 118, 139, 140, 208, 213–217, 222, 223, 238