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Chapter 6: Cross-Gendering the Underwoods: Christian Subjection in Charlotte Yonge’s The Pillars of the House |
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Chapter 7: Marriage Plots and “Matters of More Importance_: Sensationalising Self-Sacrifice in Victorian Domestic Fiction |
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Chapter 8: An “original and unlooked-for ending_?: Irony, the Marriage Plot, and the Antifeminism Debate in Oliphant’s Miss Marjoribanks |
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Chapter 9: Ghosts in the House: Margaret Oliphant’s Uncanny Response to Feminist Success |
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Chapter 10: The Female Confessor: Confession and Shifting Domains of Discourse in Margaret Oliphant’s Salem Chapel |
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Chapter 11: Mary Elizabeth Braddon’s Secret: An Antifeminist Amongst the New Women |