This is a limited free preview of this book. Please buy full access.
Pykett, Lyn. “Portraits of the Artist as a Young Woman: Representations of the Female Artist in the New Woman Fiction of the 1890s.” Victorian Women Writers and the Woman Question. Ed. Nicola Diane Thompson. Cambridge, UK: Cambridge University Press, 1999. 135–150.
Roper, Michael, and John Tosh, eds. Manful Assertions: Masculinities in Britain since 1800. London: Routledge, 1991.
Sanders, Valerie. Eve’s Renegades: Victorian Antifeminist Women Novelists. London: Macmillan, 1996.
—. The Brother-Sister Culture in Nineteenth-Century Literature. From Austen to Woolf. Houndmills, Basingstoke, UK: Palgrave, 2002.
Schaffer, Talia. “British Non-Canonical Women Novelists, 1850–1900: Recent Studies.” Dickens Studies Annual 37 (2006): 325–341.
Showalter, Elaine. A Literature of Their Own: British Women Novelists from Brontë to Lessing. Expanded Edition. 1977. Princeton, NJ: Princeton University Press, 1999.
Sturrock, Jane. “Literary Women of the 1850s and Charlotte Mary Yonge’s Dynevor Terrace.” Victorian Women Writers and the Woman Question. Ed. Nicola Diane Thompson. Cambridge, UK: Cambridge University Press, 1999. 116–134.
Thompson, Nicola Diane. “Responding to the Woman Questions: Rereading Noncanonical Victorian Women Novelists.” Victorian Women Writers and the Woman Question. Ed. Nicola Diane Thompson. Cambridge, UK: Cambridge University Press, 1999. 1–23.
Trela, D. J. “Introduction: Discovering the Gentle Subversive.” Margaret Oliphant: Critical Essays on a Gentle Subversive. Ed. D. J. Trela. Selinsgrove, PA: Susquehanna University Press, 1995. 11–27.
Yonge, Charlotte M. The Pillars of the House; or, Under Wode, Under Rode. 1873. 3 vols. London: Macmillan and Co, 1875.
Zakreski, Patricia. Representing Female Artistic Labour, 1848-1890: Refining Work for the Middle-Class Woman. Aldershot, UK: Ashgate, 2006.