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Table of Contents
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Acknowledgments |
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Chapter 1: Theorizing Contemporary American Drama: Fractured Plots, Fragmented in Time, in Space |
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Chapter 2: (Post)Modern Feminism on the Broadway Stage: Rachel Crothers and Wendy Wasserstein |
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Chapter 3: Six Degrees of Separation: Philip Barry’s Mimetic Holiday and John Guare’s Performative Postmodernism 91 |
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Chapter 4: Oleanna and The Children’s Hour: Misreading Sexuality on the Realistic Stage 141 |
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Chapter 5: “That’s Realism.” The Language of (Post)Modernist Tragedy: Desire Under the Elms and Buried Child |
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Chapter 6: Eugene O’Neill and August Wilson: Comings and Goings between Past and Present |
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Chapter 7: Magic Realism: Staging the Invisible in (Post)Modern Drama |