|
memory, 54 |
|
“Ulysses’ Gramophone: Hear SayYes in Joyce,”, 35 |
|
victim, 1, 4, 26, 54, 60, 94, 95, 127, 130, 135, 141, 142, 147, 149 |
|
victimhood, 147 |
|
violence, 1, 4, 12, 27, 29, 30, 33, 41, 45, 47, 48, 51, 58, 72, 85, 86, 96, 117, 127, 130, 131, 144, 149, 151 |
|
ethnic, 4 |
|
gender, 4 |
|
historical, 1 |
|
(of) nationalism, 58 |
|
victim, 149 |
|
Webb, Mary, 69 |
|
West, 3, 6, 25, 54, 67, 68, 73, 74, 79, 80, 82, 125, 126, 128–130, 132, 133, 140, 143, 146 |
|
ethnocentric, 146 |
|
Western, 3, 5, 24, 32, 41–43, 45, 48, 50, 51, 67, 68, 72, 73, 79, 80, 84, 86, 91, 95, 106, 110, 121, 125–128, 130, 132, 133, 139, 141, 145 |
|
Age of Enlightenment, 125 |
|
behavior, 68 |
|
being, 120 |
|
capitalism, 32 |
|
colonial, 24 |
|
colonialist, 128 |
|
couple, 67 |
|
debates |
|
dominance, 127 |
|
elite, 32 |
|
European, 41 |
|
eye, 80 |
|
gaze, 95 |
|
Imago, 133 |
|
language, 126 |
|
machine, 5 |
|
man, 42 |
|
“Other,”, 73 |
|
representation, 127 |
|
of the Orient, 127 |
|
perspective, 132 |
|
socialist, 110 |
|
subject, 79 |
|
tradition, 127 |
|
woman, 72 |
|
What Women Lose: Exile and the Construction of Imaginary Homelands in Novels by Caribbean Writers,, 33 |
|
white, 14, 25, 35, 41, 50, 63, 68, 77, 79, 82, 95, 99, 100, 102, 119, 131, 148 |
|
European, 41 |


