Stevenson, Clay(note, 60, 309–311, 328, 15

Stoodley, Sheryl(note, 313, 329, 26

Strasberg, Lee, 91, 168, 169

Stratford’s Decision (Britton & Williams),, 6

Street Theatre(note(note, 22, 17, 109, 283, 124, 310

Sullivan, Larry E., 14

Sykes, Gresham M.(note, 53, 54, 60, 163, 305, 10

Symbolic capital, see “cultural capital”

Teamwork, see “cooperation”

Techniques of Neutralization (Sykes and Matza),, 53, 54, 60, 163

Telson, Bob, 240, 241, 243

Tempest, The (Shakespeare),, 12, 300

Theatre in Prisons Project (TIPP), 308, 309

Theater of the Oppressed, see “Boal, Augusto” Theatre Without Bars(note, 163, 283, 125, 309

This American Life” (National Public Radio)(note(note, 19, 194, 276, 46, 279, 81

Tiger, The (Schisgal),, 74, 75, 319

To Kill A Mockingbird (Lee),, 141

Tofteland, Curt L., 9–12, 15

Total institution(note(note, 210, 219, 246, 262, 277, 278, 60, 282, 114, 288, 289, 291

Training for the Future (TFTF), 34, 36, 96, 152

Transfers (Bromberg),, 65, 74, 75, 115

Trounstine, Jean(note(note, 199, 293, 125, 313, 329, 26

Tucker, Patrick, 229

Twelve Angry Men (Rose),(note, 113, 140–142, 172, 14

“Underclass debate,” see “Matthews, Roger”

United States Sentencing Commission, 15

Van Winkle, Barrik, 132

Versatility(note, 93, 107, 142

Vockins, Katherine, 7, 8

Waiting for Godot (Beckett),, 307, 308, 310

Ward, Douglas Turner, 75, 325, 326

Welch, Michael(note, 269, 283, 128

Wells, L. Edward, 125–128

Wilcox, Agnes, 17, 185, 188–190, 192, 193

begins Prison Performing Arts, 181–183, 188

and the Hamlet Project, 184, 188

and the Oedipus Project, 194

chooses classical plays, 184, 185

directorial process, 189, 190, 198, 199

operating philosophy, 190, 198

and prison administration, 194

Wilks, Judith, 14, 286

Williams, Ellen, 315

Williams, Tennessee, 49

William Head on Stage (WHoS), 315, 316

WINGS (Mill Mountain Playhouse), 311