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Table of Contents
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Foreword |
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Acknowledgments |
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Introduction |
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“A Grand Theatre for the Trial of All New Plans in Hygiene and Education” |
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Rehabilitation Through the Arts and Shakespeare Behind Bars |
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Identifying and Defining the Research Problem |
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Research Strategies and Methodology |
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Chapter One: On Stage In Stir: Theatre for the Forgotten |
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Program History |
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The Acting Workshops |
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The Rehearsal Process |
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Aesthetic Mode |
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Theatrical Communion Behind Bars |
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The Performer-Audience Dynamic |
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Operating Philosophy |
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The Repertory |
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Reception by Prison Officials |
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Impact on Participating Inmates |
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Summary |
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Chapter Two: Coup/Coop de Théâtre: The Cell Block Theatre |
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Program History |
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The Workshops in Prison |