Actor-character amalgam, 54–59, 168, 169, 227, 228, 230, 264, 265, 291, 292

Actor’s Equity Association (AEA), 30, 45

Actor’s Studio, the, 112, 168

Actors’ Workshops of San Francisco, 307, 310

Advocate, The (Noah),, 17, 25, 26, 29, 44, 45, 49, 61, 74, 78, 80

Alexander, Buzz, 314, 315

Alienation effect, see “Brecht, Bertolt”

Ain’t No Man Dragged That Moon Down Yet (Robison, Stoodley, et al),, 313, 314

Anomie and strain (Merton), 203, 204, 235–237

Arnott, Peter D., 230

Arts Alive! (PPA), 183, 185

Ash, Ellis, 291, 298, 299

Attachment, see “social control theory of delinquency”

Attica Prison, 22

(note, 17), 30, 45, 68, 70, 111, 122, 308, 309

riots at:, 30, 45, 308, 309

Autonomy, see “self-motivation”

Baltard, Louis-Pierre, 288

Barbers, Robbers, and Nuts (PPA original play),, 183, 184

Barbwire Theater, see “San Quentin Drama Workshop”

Beck, Deborah and Bertram, 159, 160

Beckett, Samuel, 307, 308

Bedford Hills Correctional Facility for Women, 117, 137, 158, 309, 310

Belief, see “social control theory of delinquency”

Bergansky, Chuck, 90, 92

Bergman, John, see “Geese Theatre”

Bernhardt, Sarah, 25, 308

Bird of Treachery (TFTF original show),, 5, 56

Boal, Augusto, 190, 191, 193, 194, 204–206, 314, 329

(note, 30)

Bonagura, Vincent, 78, 300

Bonger, William Adrian, 102

(note, 59)

Bordentown Reformatory, 18, 109, 110, 111, 113, 114, 116, 117, 123, 140, 144, 147, 150, 153, 165, 166, 169, 295, 296

Bourdieu, Pierre, 234, 235

Braithwaite, John, 216

Brecht, Bertolt, 149, 177

(note, 93), 226, 233, 234, 243, 294–296

Brechtian theatre, see “Brecht, Bertolt”

Breuer, Lee, 240–243, 247

Briar, Scott, 238

Bromberg, Conrad, 65, 74, 115, 121, 162, 173

(note, 37)

Brooklyn House of Detention, 29, 65

Brown, Rozier, 308

Camillo, Marvin Felix, 309, 310

Camino Real (Williams),, 49

Carillo, Ron, 27, 78

Case of the Crushed Petunias (Williams),, 74