|
|
This is a limited free preview of this book. Please buy full access.
Table of Contents
|
Foreword |
|
Acknowledgments |
|
Introduction |
|
“A Grand Theatre for the Trial of All New Plans in Hygiene and Education” |
|
Rehabilitation Through the Arts and Shakespeare Behind Bars |
|
Identifying and Defining the Research Problem |
|
Research Strategies and Methodology |
|
Chapter One: On Stage In Stir: Theatre for the Forgotten |
|
Program History |
|
The Acting Workshops |
|
The Rehearsal Process |
|
Aesthetic Mode |
|
Theatrical Communion Behind Bars |
|
The Performer-Audience Dynamic |
|
Operating Philosophy |
|
The Repertory |
|
Reception by Prison Officials |
|
Impact on Participating Inmates |
|
Summary |
|
Chapter Two: Coup/Coop de Théâtre: The Cell Block Theatre |
|
Program History |
|
The Workshops in Prison |