tours conferences, 159, 160

with Theatre for the Forgotten, 63, 112

operating philosophy, 112, 113, 118, 119, 125, 141, 142, 167, 168, 295, 309

training, 112, 137, 143, 168, 169

Gordone, Charles, 144, 146–151, 170, 295–297

Gospel of Colonus (Breuer and Telson)(note, 207, 214, 240–252, 258, 260, 263, 264, 266, 270, 281, 101

Gottfredson, Michael R.(note, 93, 94, 107, 42

Great Game of Power (acting exercise), 204–206

Grosser, George H., 210

Guthrie Theatre, 311

Hamlet (Shakespeare),, 184, 188, 196, 197, 211–212, 217–240, 243, 252, 256, 264, 265

Hamlet Project, the (PPA)(note, 19, 184, 188, 194, 195, 197, 217–240, 254–258, 265, 270, 271, 279, 81

Happy Ending (Ward),, 75, 84, 325

Hayner, Norman S., 291, 298, 299

Hello Out There (Saroyan),, 24, 64, 66, 72–74, 318

Hewitt, John P.(note, 126, 200, 280, 88

Hirschi, Travis(note(notes, 58, 59, 93, 94, 107, 42, 163, 237–240, 279, 280, 85, 88

Hitt, Jack, see “This American Life”

Holloway, Leslie M., 114

Human Sculpture (acting exercise), 129, 133–135

I’m an Actor (PPA), 190–192, 267, 268

Imitation, 227, 228, 248, 249

Importation model of inmate culture(note, 103, 104, 75, 291, 292

Indeterminate sentencing(note, 14, 15, 21, 2

“Inner Voices,”, 308

Investment, see “social control theory of delinquency”

Invisible Shared Object (acting game), 39, 203

Irish System of incarceration, see “Progressive State System of Incarceration”

Irwin, John(note, 47, 175, 176, 70, 263

Jailing, 47, 291

Jankowski, Martín Sánchez(note, 131, 132, 175, 62

Jones, Rhodessa, 313, 314

Kaplan Foundation, the, 26, 29, 30

Kaplan, Howard B., 126, 127, 140

Kesey, Ken, 141

Keve, Paul W., 46, 47

Kimbrell, Marketta(note, 85, 88, 92, 94, 100, 36, 309

Kinesthesia(note, 32, 38–39, 42, 44, 45, 48, 53, 133–135, 137, 143, 154, 157, 158, 178, 121, 201, 202, 204–208, 272, 300

Korn, Richard R., 249, 250, 286, 287, 293