The Proscenium Cage:  Critical Case Studies in U.S. Prison Theatre Programs
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I am likewise grateful for the input of Howard “Owa” Jackson, Chuck Bergansky, Meg Sempreora, Reta Madsen, and George Pepe, whose bountiful answers to my questions added invaluably to this work. I am no less indebted to the prison administrators who took the time out of their schedule to help me effect the most complete and responsible work possible, including James Moore, Sherri Noel, Larry Chandler, and those several individuals who have opted to remain anonymous. Of course, the many program participants at Missouri Eastern Correctional Center, Northeast Correctional Center, and the Luther Luckett Correctional Complex who so generously agreed to answer my questions are greatly appreciated.

Finally, and foremost, I thank the Lord my God, Who sustained my work, my personal life, and my faith throughout the process.