Dead Composers, Living Audiences: The Situation of Classical Music in the Twenty-First Century
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Chapter 6: Music and Words 2: Nietzsche and The Birth of Tragedy

129

Part III: Science, Music, Paradigms, and Meaning

153

Introduction

155

Chapter 7: Science and Paradigms

173

Chapter 8: Science and Music: Paradigms and “Normal Practitioners”

201

Chapter 9: Einstein and Schoenberg: The Move to Radical Abstraction

217

Chapter 10: Modernism and the “End” of Paradigms

243

Part IV: Toward a Symbiosis: Rational and A-Rational

261

Introduction

263

Chapter 11: Modernism, Postmodernism, and the Reproduction of Distraction

265

Chapter 12: Self, Difference, and Reconciliation

289

Conclusion

313

Appendix: Improvising the Future

325

Bibliography

335

Index

349