Dead Composers, Living Audiences: The Situation of Classical Music in the Twenty-First Century
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Index

A priori,, 55n10, 87, 210, 269, 304

a-rational, xi, 20–21, 54n5, 73–76, 80–81, 84–85, 88, 94, 106, 117, 132–133, 138–139, 141, 148, 156, 159, 164, 168–169, 176, 187, 205, 220, 232, 238, 256–257, 263–264, 266, 276, 278, 291–293, 295, 301–303, 307–308, 314, 316, 320, 326

abstract, 119, 155–156, 160–161, 176, 179, 181, 205–206, 208–210, 214, 220, 229–230, 234, 250–251, 253, 259n12, 333

Achilles,, 116

Adam and Eve, 5, 180, 298

Adorno, Theodor, 17, 48, 54n6, 55n9, 55–56n10, 81, 85–86, 88, 90, 98n9–12, 99nn15–18, 99n22, 125n20, 142, 165, 172n3, 172n9, 208, 215n2, 215nn4–5, 239n5, 240n29, 250, 253, 255, 260n13, 260nn15–16, 264, 268–270, 272–273, 277–279, 283, 286n4, 286nn6–7, 287n9, 287n12, 308–310, 314, 317, 325, 332–333, 334nn1–2

Aeschylus, 63, 70n6, 105, 116, 118

Aesthetic Theory,, 156, 167, 172n3, 215n4, 239n5

aesthetics, 2–3, 12, 20, 43, 69n1, 125n21, 150n15, 240n29

Agamemnon,, 116, 134

age of manifestos, 246

Ajax,, 116

Alice in Wonderland,, 91

Antigone,, 116, 125n23

Apollinian, 139–141, 143–144, 300–303, 307–308

Apollo, 38, 39n13, 139–149, 145, 297–298

appearance, 106, 162, 167, 170–171, 208, 224, 226, 231, 238, 250, 257–258, 279, 296–297, 307, 317, 321

Aristotle, 44, 70n6, 104–109, 115, 117–122, 124n2, 124n5, 124n9, 125nn24–25, 130, 132, 139, 147, 190, 213, 215n10, 296, 311n7, 311n10

Arnold, Matthew, 122, 126n34

artistic Socrates, 133, 143, 303

autonomous, 250, 283, 291, 309, 325, 331–332

autonomy, 118, 250–251, 253–255, 286n4, 297, 325, 329, 331–332

Avant-Garde and Kitsch,, 252, 259n9

Bach, Johann Sebastian, 53n2, 60–61, 202, 231, 268, 286n5

Baksa, Robert, 61

Barber, Samuel, 61

Baroque, 124n10, 212

Bartok, Bela, 60

Bayreuth, 136

Beck, 325

Becker, Ernest, 8, 299, 311n9

Becquerel, Henri, 174