Dead Composers, Living Audiences: The Situation of Classical Music in the Twenty-First Century
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teleological, 157, 267, 272, 279, 317

Thales, 286

Theoria,, 118

theory, xiii, 1, 7, 12, 17, 69, 77, 98nn2–3, 99n15, 117–118, 156, 158, 162, 164, 167, 174, 176, 177, 179, 181–182, 188–194, 196, 208, 210–212, 218–223, 226, 234, 239, 240n32, 250–253, 257, 276, 285, 295, 302, 329, 331–332

Thespis, 140

Through the Looking Glass,, 91, 93

Tiedemann, 55, 208, 215nn4–5

Tom Traubert’s Blues,, 32, 38n9

tragedy, 3, 38, 70, 76–77, 105, 107, 113–114, 116–117, 119–123, 124n4, 124n6, 124n11, 125n22, 125n25, 126n28, 126n33, 127n35, 129–130, 132–137, 139–149, 150n1, 150n3, 150n13, 150n18–19, 151n21, 151n25, 156, 158, 170, 183, 238, 257, 260n17, 263, 287n11, 287n14, 292–293, 295, 297, 299–303, 315, 319

Translations,, 285, 287n17

The Tristan Chord,, 111, 125n16, 125n19, 150n10, 150n13–14

Tristan und Isolde,, 136

Truth, 17, 99n18, 146, 165, 181, 189, 232, 275

twelve-tone, 171, 231, 235–236, 244–245, 247, 251, 256, 268, 276, 329

Übermensch,, 131

uncanny, 117, 119–120, 134, 237–238

Upshaw, Dawn, 30, 37n3

utopia, 7, 157–158, 169, 308, 320

utopian, 5–6, 90, 157–158, 167–169, 177–178, 186, 244, 263, 267, 299, 301, 314

values, 2–3, 17, 20, 28, 43, 50, 55, 64, 147, 165, 249, 315, 326, 329, 331–332

Velasquez, Diego, 63

Verdi, Giuseppi, 145, 303

Vienna, 227–228, 240n20, 240n23

Wagner, Richard, 94, 99n27, 113, 125n16, 130, 132–133, 136–139, 144–147, 176, 202, 303, 325

Waiting for Godot,, 163

Waits, Tom, 31–35, 38n7, 38nn9–10, 106

Waltzing Matilda,, 32, 38n10

Weber, Max, 270, 277

Webern, Anton, 325

Will to Power,, 132n1, 150n7

Winckelmann, J. J., 122, 126nn32–33, 135, 145–146, 295, 319

The World as Will and Representation,, 138

Woyzeck,, 295, 300

Wozzeck,, 264, 295, 298–301, 303–309, 311n12, 312n14, 319–320

Zaimont, Judith Lang, 61

Zeno, 286n2